How you'll actually tell someone what your childhood was like.
01 · The line every story starts with
Cuando era niño, era muy tímido.
When I was a kid, I was very shy.
Era is one of only three irregular imperfect verbs in the whole language. Learn these three and almost every other verb just follows the pattern.
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02 · The -ER/-IR ending
Comía mucho chocolate de niño.
I used to eat a lot of chocolate as a kid.
-ía is the whole ending for every -ER and -IR verb — no separate set to memorize for each.
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03 · The -AR ending
Yo hablaba español con mi abuela.
I used to speak Spanish with my grandmother.
-aba is regular for every -AR verb, no exceptions. Say this one a few times and the whole -AR pattern locks in.
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04 · Irregular #2
Íbamos a la playa todos los veranos.
We used to go to the beach every summer.
Íbamos, not "ibábamos" — ir just doesn't take the regular ending. That's one of your three irregulars done.
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05 · Irregular #3, and you're finished
Veía dibujos animados después de la escuela.
I used to watch cartoons after school.
Ser, ir, ver — that's every irregular imperfect verb in Spanish, full stop. Everything else you already know how to conjugate.
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06 · Before and now, in one breath
Antes no me gustaba el café, ahora sí.
I didn't use to like coffee before, now I do.
This is the sentence shape that makes small talk actually land — take any habit you have now and flip it into the past with antes.
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07 · Anchoring a habit
Siempre desayunaba a las ocho.
I always used to have breakfast at eight.
Siempre out front tells the listener "this happened over and over" before you've even finished the sentence.
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08 · Setting the weather
Hacía mucho sol y no había nubes.
It was very sunny and there wasn't a cloud in the sky.
This is what the imperfect is for — painting the background a story happens in front of, not the events themselves.
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09 · Setting the time
Eran las diez de la noche.
It was ten o'clock at night.
Past-tense clock time is always eran or era, never the preterite. It's scene-setting, so it stays in the imperfect.
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10 · How you felt in the moment
Estaba cansado y tenía hambre.
I was tired and hungry.
An ongoing state, not a one-off event — that's the imperfect's whole job. Two feelings, no drama, just the background.
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11 · Closing the scene
Ella llevaba un vestido azul y sonreía.
She was wearing a blue dress and smiling.
This is the sentence that makes a memory feel like a memory. Once you can say this out loud, you can tell a real story.
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